INDIE Award-winning guitar, mandolin and cittern master Robin Bullock looks back on three decades as a solo recording artist in this enchanting collection of Celtic, Americana, Baroque, Renaissance and original acoustic music.
"The many accolades that Robin Bullock has accumulated over the years are the direct result of an artistry, craftsmanship and talent that transcends time." - Minor 7th
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Robin Bullock’s music speaks for itself. He himself is much quieter. But there is something elusive about Robin that informs his music. And as his much louder duo partner of the last twenty-some years, I think I have put my finger on it.
Robin Bullock is entertaining, but he is not merely an entertainer. Yes, as anyone who has seen him perform knows, he is capable of great flash. Listen to him trade lightning riffs with John Doyle on "The Savage Wee Beastie" (track 9). And speaking of lightning, check out the rapid, complex, irregular rhythms on his original composition, "The Lightning Field" (track 4).
This is the stuff of jaw drops. But it is not merely that, for that is never what motivates Robin. He is too complete a musician not to know that a performance that makes jaws drop, but not tears fall, is more carnival than music. And while carnivals have their place in our sad world, they have never been his place.
On some level, Robin’s fans know this about him. They don’t come to be wowed by the kind of flashy guitar playing that often looks better than it sounds. They come, rather, to be taken on a journey through the music that Robin has explored with great precision and determination. They come to savor and to be moved by the voice he has given to that music on his various string instruments. And they have come to receive and be captivated by the gift of each piece crafted with impeccable ingenuity, integrity, sensitivity, originality, and passion.
Take what may be my favorite tune on this Retrospective, "Gae Bring to Me a Pint o’ Wine" (track 2). Robin found this Robert Burns poem, with melody by Francis Melville, in a book. Then, having never heard it sung or played by anyone, he crafted this hauntingly poignant guitar duet arrangement, one that suggests that Robin knew something about why Burns so eloquently called for that pint.
After hearing Robin’s recording, I sought out numerous other renditions of the song, some quite wonderful. But I have little doubt that when the saints go marching into music heaven, Robert Burns will be there to embrace Robin and to thank him for painting better than anyone else (and without words!) what Burns himself felt when he penned the final stanza of that heart-wrenching poem:
It’s no' the roar o' sea or shore,
Wad mak' me langer wish to tarry;
Nor shouts o’ war that’s heard afar –
It’s leaving thee, my bonnie Mary!
Sadly, such sensitivity rarely gets instrumental guitar players into large auditoriums. But it did for Robin. In some cases that was because big-name artists, like Tom Paxton and Janis Ian, saw in him exactly what I have just described; that ability to feel what other musicians mean, and to use his instrument to help give their music a grander voice. Stars like that could have had their pick of the Nashville pros. But they wanted Robin Bullock as their sideman on tour.
Robin also plays large, packed halls with his own AFIM Indie Award-winning trio Helicon, and has been called “one of the best folk instrumentalists in the business” by Sing Out! Magazine. He's won three Washington Area Music Association "Wammie" Awards and has had more good things said about him by Acoustic Guitar Magazine than I can count.
Still, for all the flashy resumé stuff, my bet is that most of his fans don’t think much about that when they hear Robin’s music. In fact, I suspect that, whether listening live or on their earbuds, they aren’t thinking much at all; they are simply feeling.
Robin’s has truly been a life well spent. May there be much more of his music to come. Until then, enjoy this album, and hearty congratulations to Robin on this 30-year Retrospective.
Steve Baughman
San Rafael, California
credits
released December 1, 2023
Robin Bullock: 6- and 12-string guitars, mandolin, cittern, piano, bass guitar
With Liz Knowles, fiddle (track 4); Michel Sikiotakis, wooden flutes and tin whistle (track 5); Al Petteway, guitar (track 7); Tony McManus, guitar (track 8); John Doyle, guitar (track 9); Steve Baughman, guitar (track 13); Sue Richards, Celtic harp (track 15)
Robin Bullock has been hailed as one of the 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com, “one of the best folk
instrumentalists in the business” by Sing Out! Magazine, “breathtaking” by Guitar Player Magazine, and a “Celtic guitar god” by Baltimore City Paper. His virtuosity on guitar, cittern and mandolin blends Celtic, Appalachian and Baroque influences into one beautiful whole....more
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